Corps Étrangers

Contemporary Dance/New Circus (2013/2014)

Corps Étrangers wins the Performing Arts Award in Leipzig 2014

Down to Earth. Our enlightened (post-)modern present. Let’s just leave it behind us. For heaven, the wildness, superstition. Behind today’s certainties that know how to distinguish clearly between people, animals, plants, things. Risky? Maybe. Contemporary dance and new circus ally in Corps Étrangers to form a transnational ensemble of dancers, acrobats and vertical ropes that assembles to create an ever-new hybrid physical being. A game with images, disguises, physical forces – meanings on the run.

Press

Gravitation becomes a plaything, negotiated by power and body control. (Esther Boldt, tanz)

(…) As the laughter of the audience was overpowered by applause, the siren call of anarchy triumphed briefly over the reassuring straightjacket of civilization. (India Stoughton, The Daily Star)

Humor, poetry, fantasy, appreciation for acting and the queer, fantastical and bizarre of a performance which ultimately puts a stop to conventions and preformed steps. Among men who run riot and under the impassionate direction of a choreographer who has no constraints, the dance stays appealing, expands and interweaves in a subtle manner with the flickering of the world of the acrobats and gymnasts. It is their immense talent which fascinates the audience and which puts them under their spell. (Edgar Davidian, Le Nouveau Orient)

Thiersch´s choreography is visually powerful, brilliantly composed anarchy. […] What remains if the human overcomes the restrictive [mechanisms of] civilization? Power, weightlessness. And freedom.
(Renee Wieder, Rheinische Post)

Thiersch constructs profound scenes, reveals the circus of evolution as a nouveau cirque masquerade between totem and taboo, travesty and animism. […] How pleasant it was to have seen something like it was mirrored by the long, enthusiastic applause that followed 90 intensive and strong minutes.
(Steffen Georgi, Leipziger Volkszeitung)

Excerpt from the jury statement on the recipient of the 2014 Bewegungskunstpreis award

One thing is for certain: an archaic, anarchical, acrobatic universe of freaks, of foreign bodies, opens up before our eyes, that, in its exceptional conceptuality and virtuosity, casts off all chains of association and that, in its prime, densest moments, presents an effective alternative, that is – and, in this case, it is accurate to state – a counter-spell to the disenchantment of the world.
This production by Stephanie Thiersch and her Franco-German ensemble of artists and performers is therefore a prime example: not just of the right for the free scene to exist, which – contrary to popular belief – does not go without saying. But, above all, of an artistic potential that is capable of reflecting on life and the world in a way that – to use the same word again – is of a spiritual and aesthetic autonomy which is becoming increasingly amiss in our popular culture.

Cast

Concept/Choreography: Stephanie Thiersch; Dance/Acrobatics/Creation: Fabien Almakiewicz, Mathieu Antajan, Tim Behren, Florian Patschovsky, Valenti Rocamora i Torà; Choreographic Assistance: Viviana Escalé, Alexandra Naudet; Light Design/Technical Direction: Niko Moddenborg; Set Design/Stage: Fabien Almakiewicz; Stephanie Thiersch; Costume Design: Sabine Schneider; Dramaturgy: Anna Volkland; Sound/Composition: Emmanuelle Gibello; Photography: Martin Rottenkolber; Management: Béla Bisom; Production Management: Ines Disselbrede

Credits

MOUVOIR in cooperation with: Freihandelszone Ensemblenetzwerk Köln, co-produced by: tanzhaus nrw Dusseldorf, LOFFT – Das Theater Leipzig, Theater im Pumpenhaus Munster and Maqamat Dance House Beirut; supported by: CENTQUATRE/104 Paris; O espaco do tempo; funded by: Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes NRW, Kulturamt der Stadt Köln, Kunststiftung NRW, Stadt Leipzig, Kulturamt und Kulturstiftung des Freistaates Sachsen.